The Winners of the DNRF Photo Competition 2025

For the eighth year in a row, the foundation has launched a photo competition based on the potential of photography as documentation and communication of research. Below, you’ll find this year’s three winning images, along with ten specially selected photos. You can also click through to read interviews with the three researchers behind the winning images.
Foto: Luka Civa, Mikrobiologi, Københavns Universitet
Life in darkness, in light of change. Photo: Luka Civa, Microbiology, University of Copenhagen

The panels review:

The judges were captivated by this stunning and poignant image from the caves of the Algarve region in Portugal. The accompanying caption tells us that it has been designated a biodiversity hotspot: an environment unchanged for millennia, but with signs that climate change is beginning to intrude. The combination of text and image left us with a sense of awe about these mysterious but all too fragile natural environments.

Read the interview with Luka Civa

Photo: Marie Odgaard, Anthropology, Gender Studies, Middle Eastern Studies, Affiliate researcher, Aarhus University

The panels review:

An arresting picture of an architectural edifice: an enormous mosque under construction. The judges enjoyed the fact that at its center is a single human figure, small enough to be missed on first view. But through the accompanying text, this detail is established as the photograph’s punctum, providing a subtle visual metaphor for the photographer’s research project: an investigation into queer activism in nearby Jordan.

Read the interview with Marie Odgaard

Microscopic beauty settles an age-old dispute. Photo: Heide Wrobel Nørgaard, Archaeometallurgy, Archaeology, Moesgaard Museum

The panels review:

The colorful ‘field pattern’ across this metallograph is pleasing to the eye. But in the explanatory caption, the researcher draws out from it a number of intriguing insights: about the Bronze Age techniques and skills used to make the belt plate of which this is part, about a hundred-and-fifty-year-old archaeological dispute, and about a pioneer in the study of Scandinavian prehistoric artefacts who settled it. The image is rich in both visual impact and narrative detail.

Read the interview with Heide Wrobel Nørgaard

Sign up for our newsletter